Αρχική » Montreal’s KILLED BY SORROW Unleashes “Betrayal” Off Forthcoming Debut Album “Empires of Excess” Out October 2026
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Montreal’s KILLED BY SORROW Unleashes “Betrayal” Off Forthcoming Debut Album “Empires of Excess” Out October 2026

Montreal metal outfit Killed By Sorrow has officially announced the release of their first full‑length album, “Empire of Excess,” due out on October 23rd, 2026, to follow EPs “Careless of This Sadness” (2023) and “Time Has Come” (2022). The record marks the band’s most dynamic, emotionally charged, and musically evolved chapter to date.

To give the first glimpse into the album, the band has unveiled the first single, “Betrayal”, a heavy, riff‑driven track built on explosive breakdowns and raw emotional intensity. The song explores the collapse of trust after deep personal betrayal, poisonous lies, emotional wounds, and the breaking point where deception becomes unbearable.

“This is a heavy-punching song with a great breakdown. Great guitar riffs,” adds rhythm guitarist Samuel Ham.

Watch the lyric video at https://www.youtube.com/watch?v=i0PWyiTedfs

Add to your Spotify playlist – https://open.spotify.com/track/0nW7DcnjyCJpw4iBTBYdi6

“Empire of Excess” is a refined evolution of Killed By Sorrow’s early sound, still aggressive, still emotional, but more mature, more atmospheric, and more intentional. Featuring 10 tracks, fans can expect a blend of heaviness and melody that pulls listeners into the story behind each track. From its polished, immersive production to its mix of fast, downbeat, and infused tracks of metalcore, thrash, prog, and punk. The record will take listeners into a deep emotional atmosphere with a track list designed to feel like a journey from start to finish,

“The contributions on this record from our bassist Marty Bersier‑Carpentier have significantly shaped the new sonic direction and have been a real blessing in refining our sound,” adds Ham.

Killed by Sorrow emerged from Montreal’s South Shore metal-music scene in the mid-2000s, carving out their identity with a sound heavily inspired by the emotional intensity of Poison the Well, the razor-sharp riffing of Unearth, and the melodic precision of Trivium. These influences shaped the band’s early songwriting, blending aggression with dynamic melodic structures.

During their formative years, Killed by Sorrow built a reputation through high-energy performances across local venues. A major milestone of this era was sharing the stage with renowned Swedish hardcore band Raised Fist, a moment that reinforced the band’s credibility.

As a group of friends, they have been determined to channel the intensity of the music they loved into something of their own. What began as basement rehearsals has quickly evolved into a serious project as the band discovered a natural chemistry.

Recommended for fans of Unearth, Killswitch Engage, Poison The Well, Trivium, and Lamb of God, “Empire of Excess” is due out on October 23, 2026, and available for pre-save/ pre-order at https://killedbysorrow.bandcamp.com/.

Track Listing:
1. The End is Near – 3:38
2. Empire of Excess – 3:04
3. The Burial – 3:28
4. Betrayal – 3:51
5. Never Give Up – 2:37
6. All My Brothers – 3:18
7. In The Spotlight – 3:17
8. Killed By Sorrow – 3:29
9. Unchained – 3:42
10. Stay In Line – 3:28
Album Length: 33:55

Band Line-up:
Sébastien Mailloux – Vocals
Martin Bersier-Carpentier – Bass
Tommy Forand – Guitar Lead
Samuel Ham – Guitar Rhythm
Mathieu Lassonde – Drums

More info:

https://killedbysorrow.com/

https://www.facebook.com/KilledbySorrow/

https://www.instagram.com/killedbysorrowband


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“Canadian underground hardcore punks in Killed By Sorrow’s newest single, Betrayal, definitely stays loyal to the metalcore scene by actually sounding like thrash metal tones mixed with a hardcore punk grit and attitude. Heavily distorted rhythms sound closer to your traditional hardcore, but paired with your traditional style of hardcore punk vocals, Betrayal lets you know not to cross Killed By Sorrow. Huge basslines underneath and in-the-pocket drumming made this one an interesting approach in a crowded metalcore genre, and it’s more than worth a few listens.” – Metal Institute of Thrashology (2026)