Αρχική » JESIKA VON RABBIT lifts the REM classic “Drive” into an ethereal space of yearning and loss
Ξένες Κυκλοφορίες

JESIKA VON RABBIT lifts the REM classic “Drive” into an ethereal space of yearning and loss

Too often artists will cover a song, especially a classic, just to ride the coattails of something better than them. Too often the attempt is merely an artist aping the original. The steadfast rule should be, if you’re gonna do it, make it yours or let it be.  JESIKA VON RABBIT has done just that with her take on the R.E.M. classic “Drive”. She boldly rejected the original’s southern gothic premise, and lifted it into an ethereal space of yearning and loss.

R.E.M. leaned into a gorgeous detached profundity, encouraging a sense of self efficacy, a quiet fist raised defiantly in the air. Yet, von Rabbit’s version carries it out of the physical world completely, capturing a state of loss, longing, even hopelessness, that has been omnipresent the past several years.  It feels less like a song unfolding and more like an intimate whisper from someone who broke your heart a long time ago.

“I love many of their songs, but “Drive” has such a lonely haunted feel and I wanted to do something even more sparse with it, she explains. “I’m a big R.E.M. fan, I grew up listening to them and feel they’re a bit underrated. Not to say they don’t have a huge fan base, but you don’t hear them being referenced that much anymore.”

Minimalistic and sparse, she opens with a heavily gated reverb piano, there yet afar. Her vocals are at once urgent and questioning, knowing she isn’t going to get any answers from the siren calling from afar, who are more a lonely echo than a catechism.

The bridge is typical von Rabbit, a luminous interlude of sparkling harpsichord, so bizarrely out of place that it fits perfectly. Lee Joseph’s understated guitar work strums earnestly beneath, bringing just enough scaffolding to keep the piece from drifting away entirely.

Von Rabbit’s version of “Drive” is a beautiful apparition, a rush of windswept Mojave stardust, heard in passing, already fading as she arrives.  The single follows up her 2025 album, Bunnywood Babylon.

Performance & Production Credits:

Keys, harpsichord, vocals – Jesika von Rabbit
Acoustic guitar, bass- Lee Joseph
Recorded at Rabbit Ranch. Joshua Tree
Mastered by Pat Kearns at Goat Mountain Recording Studio, Joshua Tree
photo credit Scott McManaman

see JESIKA VON RABBIT live:

04/25 Yucca Valley CA @ Mojave Gold w/ Alien Probe

05/08 Jerome AZ @ Spirit Room w/ CHKLZ

05/09 Prescott AZ @ Fairweather Social Club w/ CHKLZ

05/10 Phoenix AZ @ Thunderbird Lounge w/ CHKLZ

05/21 Newport Beach CA @ Poorman’s Summer Kickoff

05/30 Riverside CA @ Riverside Pride

06/05 Las Vegas NV @ Dustland

06/11 Los Angeles CA @ The Virgil

Formerly the frontwoman and chief songwriter of the trailblazing and iconic Joshua Tree act Gram Rabbit, JESIKA VON RABBIT has released severa’ critically lauded solo albums, Journey Mitchell,Dessert Rock, and Bunnywood Babylon, released worldwide on June 13, 2025 (Dionysus Records).

Jesika von Rabbit recently won “Best Female Vocalist” and “Best Song” at the Joshua Tree Voice Music Award Show. This is in addition to “Best Female Performer” multiple years in-a-row at the Coachella Valley Weekly Awards.

Jesika von Rabbit has toured with the Eagles of Death Metal, and has performed at the Desert Daze festival, Camper van Beethoven’s Campout festival, Joshua Tree Music Festival, Stoned and Dusted festival, Tiki Oasis, The Casbah stage at the Adams Ave Street Fair in San Diego, as well as San Francisco, Portland, and Palm Springs Pride. She has shared stages with acts as diverse as Wanda Jackson, Cat Power, The Melvins, The Crystal Method, and Sister Sledge.

Jesika von Rabbit’s original compositions have been licensed to Fox’s The Masked Singer for a commercial spot, CSI, NBC’s Life, FX’s Better Things, The Real World, Sons of Anarchy, Crash, Hit & Miss, Crazy Stupid Love and War Inc., Grace and Frankie, a commercial spot for Fruit of the Loom which aired during the 2012 Summer Olympics, and Morgan Freeman’s film 57 Seconds.

Dubbed “The Queen of the Hi-Desert,” Jesika von Rabbit is the torchbearer of the ever-vibrant Joshua Tree/Hi-Desert music scene.

visit Jesika von Rabbit online:

Website: https://www.jesikavonrabbit.com

Facebook: https://www.facebook.com/jesikavonrabbitmusic/

Instagram: https://www.instagram.com/jesikavonrabbit/

TikTok: https://www.tiktok.com/@jesikavonrabbit

YouTube: https://www.youtube.com/channel/UC9poN3qsqCJThTxWdEyio_A

Spotify: https://open.spotify.com/artist/228m37gn65MbaI86rMIEfM?si=AtfTVAUdSM2kUDBMUUAQ_g